Theory of Rhythm

The Sound Formation Method™ developed by Curtis Madigan, contains the first comprehensive theory of rhythm. This theory of rhythm was meticulously crafted with Madigan’s brand new ideas that drastically change how rhythm is being conceptualized, visualized, heard, and practiced. Many standard rhythmic terms are greatly clarified and sometimes completely redefined. This comprehensive theory of rhythm is akin to learning harmony, scales, motifs, intervals, voicings, counterpoint, etc., except rhythmically with as many hierarchies, relationships, applications, and concise definitions.

Elite professional performers, composers, and educators along with aspiring students are studying this system to elevate their playing, wield a rhythmic toolbox of creative ideas, communicate effortlessly with others about rhythmic concepts, and develop a new and deeper understanding of rhythm.

Madigan has created a taxonomy and codification of rhythm, which includes the creation of new concepts and the resolution of many issues and definitions that have created confusion or incomplete information when studying rhythm. Part of this theory of rhythm and unique system include:

•The Rhythm Compass™ which allows you to see numerous rhythmic relationships easily, practice mentally away from your instrument, and understand the cyclical and mathematically precise nature of rhythmic timing

•The Principles of Rhythm are the Abstract Roots which are Universally Applicable to All Areas of Existence, Musical or Otherwise – without using these you’ll get minimal results

•Calibrations (new definition) which are an Essential Fundamental Aspect of Mastering Rhythm – this is equivalent to intonation in pitch and will drastically improve your own rhythm and your band’s ability to lock in

•The Relationship of Syncopation (redefined) with Elision (new definition) and Displacement – these new and newly defined definitions will give you an unlimited arsenal of creative rhythms in your composing, improvising, and drastically improve your sight-reading

•How Hemiolas (redefined, expanded, and codified to include a vast number of rhythmic patterns), Polyrhythms (disambiguated), Tuplets (redefined), and Metric Modulation are Interrelated – this information is presented in a completely new way that is a must for any musicians using highly advanced levels of rhythm in their playing

•The Physicality of Music an Inseparable and Primary Aspect of Learning Rhythm and Exactly what to Study for Maximum Results – this includes the so called “unteachable” groove, why its elusive, and how to get it and improve on it

•How to Develop PERFECT RHYTHM – rapidly and easily hear layers of rhythmic shapes when listening to music

•What to Practice in a Step-by-Step Method From Complete Beginner Levels to Advanced Mastery

“Curtis Madigan’s courses are truly special. Students all over the world practice with metronomes all the time, but it seems there’s only a handful of players who really achieve great rhythm. It’s as if it’s in their bones and can’t be taught. Curtis’s method is the first that I’ve seen that can really teach that X-factor of great, deeply rooted rhythm. I feel like every musician should check this out.” – Drew Taubenfeld, Musical Director for Selena Gomez, Meghan Trainor, Demi Lovato, and Leon Bridges